Dylan Reynolds is an award winning director, including the critically acclaimed debut feature CHAIN LINK, the “Amazon Top 100” ranked NIPPLES & PALM TREES, and the cult film 4/20 MASSACRE. He is VP of Sales and Acquisitions at All Channel Films and occasional film blogger/ reviewer.
Well dear readers, this here be the final ‘Reviewing Movies Like it’s 1999‘ column. First off, thanks to everyone that has kept up with these articles (or even just read one or two of them and have been generally supportive of my writing endeavors). And second, apologies that this swan song has been long delayed-
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It has become fairly customary to crap on the films of Kevin Smith. If you check out any film blogger/ review site or peep the comment sections of just about any article having to do with Smith and his projects you will see variations of “You know- I used to like his movies- but while I
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David Fincher had helmed innumerable commercials and music videos (including some “peak Madonna” videos like Express Yourself and Vogue) before making his directorial debut in the Alien franchise. Which was fitting because that series served as a testing ground for budding auteurs like Ridley Scott, James Cameron, Jean-Pierre Jeune, and even Paul WS Anderson. However, Fincher notoriously went through the ringer with the studio and alienated (yes,
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Ooof- apologies dear readers because I’ve decidedly been slacking on my Reviewing Movies like it’s 1999 column for the month of October. Reason being that it’s spooky season so I’ve dedicated some hours and brain matter to doing my annual 31 days of horror movie watching, which if you’re inclined you can read/ catch up
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