Dylan Reynolds is an award winning director, including the critically acclaimed debut feature CHAIN LINK, the “Amazon Top 100” ranked NIPPLES & PALM TREES, and the cult film 4/20 MASSACRE. He is VP of Sales and Acquisitions at All Channel Films and occasional film blogger/ reviewer.
There are a lot of movies I could be talking about to finish up the Reviewing Movies like it’s 1999 column for July. Some of the biggest hits of that year were released in that time frame including the “peak popularity” Adam Sandler starring vehicle Big Daddy; the “Porky’s for the 90s” sex comedy American
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In the “best year of movies” there were three flicks that would come to represent the cultural zeitgeist of 1999. The Matrix (I discussed back in March), The Phantom Menace (for which I contributed my own piece of “internet rant” back in May), and The Blair Witch Project (released July 30, 1999). It could be argued
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While researching whether or not to go through with this Reviewing Movies Like is 1999 column, one of the deciding factors came when I went through the July ’99 release schedule and realized that doing it meant I could revisit both Summer of Sam (released July 2nd) and Arlington Road (released July 9). These films didn’t
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Welcome to another Reviewing Movies Like it 1999 where today we’re chatting about the stylistically hyperkinetic Run Lola Run (released in the U.S. on June 18th ’99) and the train-wreck summer blockbuster Wild Wild West (released June 30th). So let’s get to it… Every so often a movie comes along with a high concept that can be
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